Danielle Dance

updates

Reyna Alcala presents Femme Fatale Reunion
June 11, 2017
Jebon
15 Saint Marks Place
between 2nd Ave and Cooper Square
Doors open at 6:30pm
Show starts at 7:00pm
$15 admission

A Choreographer's Vision: Intimate Revelations featuring April Rose
June 18, 2017
Dixon Place
161A Chrystie Street
between Delancey and Rivington Streets
$25 in advance; $30 at the door
Bar opens at 6:00pm, Doors open at 7:00pm, Show starts at 7:30pm
Tickets: http://dixonplace.org/performances/a-choreographers-vision-intimate-revelations/

Bridge Street Belly Dance
July 29, 2017
Bridge Street Theatre
44 W Bridge Street
Catskill, NY
$22 in advance; $25 at the door
Doors open at 7:00pm, Show starts at 7:30pm
Tickets: http://bridgestreetbellydance.brownpapertickets.com/

Weekly Classes

 

Bellyqueen School of Dance

440 Studios – 440 Lafayette Street Room 4D, New York, NY

Beginner Tribal Fusion – Sundays 4:30pm – 5:30pm

Tribal fusion beginner moves and drills. We will focus on fun and challenging combinations. Variations will be offered for different levels of experience.

Int/Adv Tribal Fusion – Sundays 5:30pm – 6:30pm

July’s Theme: All About Arms! Not only will we explore arms as its own isolation element, but we will explore how the arms can enhance to torso isolations as well as provide pathways for shapes and patterns.

http://bellyqueen.com/classes/

Victoria Teel in New York City – September 23-24, 2017!

First time teaching in New York City, Victoria Teel will be offering six hours of her signature workshops!

Limited to only 20 students!

Single workshop – $65 until 8/31; $80 after
Both workshops – $115 until 8/31; $145 after
Registration is OPEN!

Fluidity and Flow
Saturday, September 23rd 10:00am-1:00pm
Learn how to transform your dance from 1-2-3-4 counts into a seamless combination of movements. Victoria explains how to combine your belly dance technique in order to create an endlessly flowing and exciting performance with six crucial concepts. In addition to studying these concepts, students will learn a choreography emphasizing the elements of fluidity.

The Teel Fan Method
Sunday, September 24th 10:00am-1:00pm
Victoria will introduce a new method and variation on the ancient Asian-influenced prop, flutter fan, in this workshop. Inspired by the breathless and elegance of Chinese silk, the Teel Fan method presents techniques & combinations used to create beautiful fan dancing. No prior experience with fan veil is required or necessary.
Needed for Class: Right Handed Short Flutter Fan or Standard Fan Veil


Workshops



Bio
Victoria Teel is an award winning belly dance performer and instructor. Quickly growing a passion for the dance and culture, she soon worked with internationally acclaimed artists, directors, and producers. In 2010, Victoria was chosen along with 24 other dancers to participate in the worlds first ever belly dance reality show, Project Belly Dance. She placed among the top six contestants, earning her spot in the Final 6 instructional DVD released in March 2011.

Soon after Project Belly Dance, Victoria joined Miles Copeland’s Bellydance Superstars in Japan for the tour of Bombay Bellywood. She then was chosen along with four other Bellydance Superstars to participate in their newest tour, Club Bellydance. She is currently a member of the Bellydance Superstars and toured full time for three years.

Victoria is internationally recognized for her unique fluid dance style and effortless execution. Her instruction method focuses on flow and how to create a seamless piece of choreography for any style. She is also the creator of the Teel Fan Method, a dance technique using fans and fan veils incorporating influences from Asian dances.

Beginning in 2006, Victoria Teel has studied multiple dance styles including Egyptian, Turkish, American Cabaret, Egyptian Folklore, and Spanish fusion belly dance. She is currently full time student of Faten Salama, a renowned Egyptian Folklore dancer and choreographer.

Today, Victoria is based in Washington DC. She currently tours the nations teaching workshops and performing. She also works with the Bellydance Superstars as well as teaches and performs in the Washington DC area.
www.victoriateel.com


I’m available for private lessons, choreography consultations, and choreography creations.
For more information, please email me at dannidances@gmail.com

May 14, 2016 – SuperFunDanceCamp. Sunrise Lake. Cold Spring, New York.

March 17-20, 2016 – Art of the Belly. The Carousel Hotel. Ocean City, Maryland.

March 13, 2016 – Manhattan Tribal presents Kristine Adams of FCBD. JeBon. New York City.

March 3, 2016 – The Massive Spectacular. Mirapiece Theater. The Railhead. Las Vegas, Nevada.

February 29, 2016 – Tribal Massive Showcase. Soloist. The Plaza Hotel. Las Vegas, Nevada.

February 17, 2016 – Djam NYC: Danielle, Dorit Oitzinger, and Brenna Crowley perform. JeBon. New York City

February 9, 2016 – Kay Kaziyah presents School’s Out Belly Dance Show: Valentine’s Day the Artists Way. JeBon. New York City.

January 30, 2016 – BrennSelle presents Baile Noir: WinterLust. JeBon. New York City

October 17, 2015 – Jerry Bezdikian Ensemble presents Danielle, Melanya, and Serena. Parkside Lounge. New York City

September 6, 2015 – Brenselle presents Baile Noir: La Femme Fatale. Je’Bon. New York City.

June 19, 2015 – The Subverse: Fusion Dance by Solstice Tribe. Le Poisson Rouge. New York City.

June 17, 2015 – Djam NYC – Danielle’s 31st Birthday Party. Je’Bon. New York City.

June 14, 2015 – Bellyqueen Summer Hafla. Secret Theater. Long Island City, NY.

May 12-17, 2015 – Tribal Fest 15. Performed with Solstice Tribe and Bellyqueen. Sebastopol, CA.

May 1-4, 2015 – Spring Caravan. Performed with Solstice Tribe and Bellyqueen.  Somerset, NJ.

April 16-19, 2015 – New York Cairo Festival. Performed with Bellyqueen. New York City.

March 29, 2015 – Divina Commedia. The Player’s Theater. New York City.

March 19-22, 2015 – Art of the Belly Festival. Ocean City, MD.

February 21-28, 2015 – Tribal Massive. Tribal Massive Showcase as a soloist. The Massive Spectacular with Solstice Tribe. Las Vegas, NV.

 

 

about danielle

“When I go onstage, I share my heart and tell my story in dance.”

When New York-based fusion belly dance performer Danielle Hutton moves, it’s sensuality incarnate. It’s a concentrated slow burn of sincerity and elegant emotionality. Authenticity and nuanced grace imbues all of Danielle’s work: in her dancing, both her solo and collaborative work, as a choreographer, creator, and consultant, and as an educator, teaching privately, instructing classes, and conducting transformative workshops.

“When I go onstage, I share my heart and tell my story in dance,” she reveals. “It’s not about breaking down, though, it’s about rising up and showing who you are at the core. You’re sharing your experiences with people, and that fosters a deep personal and artistic connection with others.”

For over 14 years, Danielle has been a fixture within the New York City belly dance community. She was principal dancer in Solstice Dance Ensemble from 2008-2010. During her tenure with the collective, she performed at such distinguished events as Tribal Fest, The Massive Spectacular, Rakkasah East, and Spring Caravan. In addition to these collaborations, she’s had the honor of performing with Zilla Dance Ensemble, Bellyqueen, and Sera Solstice’s “Solstice Tribe.” As a smoldering solo performer, Danielle has entranced audiences through her appearances at American History of Belly Dancers of Color. Danielle’s stirring choreography is defined by an articulate narrative sense and vulnerability.

Danielle combines her technique and experience as a dancer with refreshing attention to the artist’s journey in her work as an educator. Previously, she has been an instructor at the Bellyqueen School of Dance. Currently, Danielle offers private lessons, specializing in drills, and she’s also a highly capable choreography creator and consultant. Additionally, Danielle conducts intensive workshops—her “Make It Real” immersive program will be featured at Art of the Belly in Ocean City, Maryland and at Super Fun Dance Camp in Cold Springs, New York.

Danielle’s signature aesthetic is couched in the Middle Eastern belly dance tradition, and personalized by her restlessly imaginative creativity. Her formative instructors include Reyna Alcala and Sera Solstice. She has also had the opportunity to study with Mira Betz, Zoe Jakes, Olivia Kissel, Jillina, Kaeshi Chai, and Natalie Nazario.

As a seeker, she’s constantly refining and reimagining her pool of inspirations. Within her work, she utilizes contact improvisation, free form and hip-hop dance, and she frequently makes bold musical choices for her performances. Her movements have been favorably described as earthy and watery. In performance, she exhibits an arousing emotionality, building crescendos and dizzying the audience with a rare sense of artistic intuition.

“I like building anticipation, through slow, tempered moments. I want to send shivers down their spine, and I want them to know when I look at them, they’re in for a ride,” Danielle reveals.

Her performance instincts also permeate her collaborations. Danielle is a sensitive interpreter of vision and rhythm when she dances in real time with live musicians or works to realize choreographer’s vision.

Within her own choreography, Danielle seeks to bring forth an intimate expressivity that connects the dancer and the audience. One of her defining pieces, 2015’s Hope Springs Eternal, was an autobiographical solo piece that recounted a complex time of personal struggle with slow, haunting beauty. Another choreography highlight was a profound performance of Dante’s Divina Commedia, featuring a 15-body dance ensemble. In this context, Danielle guided her dancers into emotional authenticity through tasking them to journal their feelings.

“I didn’t want to convey the fire and brimstone cliché of hell. I wanted to elicit real emotion, so I asked them to write down what hell meant to them. I didn’t want them to enact anything, I wanted them to be in touch with a true feeling while they performed,” Danielle recalls. “If the movements are reactions to a real place they’ve accessed, than the piece will come off successfully.”

Danielle brings this spirit into her teaching work. “My life experiences shape the way I move, and I want my students to find that within them,” she explains. “I don’t want them to dance like me. I want them to find what works best for them and use their experience to shape how they move, what performances they choose to undertake, and the kind of music they chose to use in their routines.” She calls this dancing with authenticity, and it involves introspection, vulnerability and talking stock of one’s personal life to create emotionally resonant work as a performer.

One epiphanic exercise she will share with students is a movement mediation called Ecstatic Dance. The process involves putting on a piece of music and moving to it without being attached to technique or how it looks. It’s a deep dive into how music and movement together can embody your feelings. “It saved my life from the grips of a heavy depression,” Danielle says.

Danielle’s own life has been transformed through her journey in dance. “In high school, I was shy and introverted. I was insecure about my body and hid with baggy and loose-fitting clothes,” she confides. At 17, she saw a live belly dance performance at a restaurant, and asked her mother if she could take a class. “I took to it like a fish in water,” she recounts. The grace, strength, and self-knowledge from the discipline of dance have changed immeasurably. “I notice when I walk down this street, I have this belly dance posture, it’s a lifted quality,” she details.

She continues the discovery through her recent fascination with Argentine tango. Though she intends to keep this exploration a separate endeavor from her professional career in belly dancing, she still savors the rewards of the connection between body and heart movement. “It brings forth a beauty and connection with other people that I don’t get because I’m inherently an introvert,” she confides.

Up next, Danielle is embracing a new era of fevered creativity with a busy calendar of workshops, teaching opportunities, and performances. Thinking back on her journey and the core philosophy that’s been constant in her 14-year career, she says: "My method of storytelling is dance. I hope my work touches people and help others harness the power of expression in dance."